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Below is a cache of http://www.sroartists.com/artists/gettheledout/rider/rdr-led08d.pdf. It's a snapshot of the page taken as our search engine crawled the Web.
The web site itself may have changed. You can check the current page or check for previous versions at the Internet Archive. Yahoo! is not affiliated with the authors of this page or responsible for its content. Get The Led Out Performance Rider (Jun, 2008) PERFORMANCE RIDER: GET THE LED OUT (revised 20-Jun-2008) Rider Page 1 of 11 SRO Artists, Inc. http://www.sroartists.com | gigs@sroartists.com PHONE: (608) 664-8160
FAX: (608) 664-8161 PERFORMANCE RIDER: GET THE LED OUT (revised 20-June-2008) page 1 of 11
ANY CHANGES TO THIS RIDER MUST BE MADE IN WRITING AND APPROVED BY ARTIST REPRESENTATIVES.
This rider forms an integral part of the attached contract. The rider must be signed and returned with all pages of the contract
within two weeks of receiving this documentation. Todays Date Purchaser Venue Performance Date Name of Technical Director who has read this rider: NOTE: A GTLO show is typically a minimum of two-and-a-half (2.5) hours long. This is a straight through set with no breaks or
intermissions unless specifically negotiated between The Purchaser and Artist Representative.
We request that all GTLO performances be ALL AGES. Please make your representative aware of any time limitation, curfews
or all age restrictions PRIOR to signing this agreement. A. BOX OFFICE: 1. GTLO requires ALL venues and promoters to allocate no more than 2% of sellable capacity for promotional give-
aways unless authorized by artist representative. 2. When returning this rider THE PURCHASER must supply a ticket manifest for all engagements. THE PURCHASER
agrees to sell tickets in accordance with the manifest. THE PURCHASER must confirm the following:
a) The total number of tickets to be sold, their prices in advance and on the door. If the engagement is not
general admission, all ticket price variations within the venue must be listed. b) A list of all guest list places and promotional complimentary tickets showing their effect on the gross c) Details of THE PURCHASER ticketing system, box office, agency and credit card commissions. 3. All tickets will be of the one stub one price variety, both portions being numbered in the standard manner. THE
PURCHASER further agrees that there shall be no multiple price tickets printed. Should this be violated THE
PURCHASER agrees that he will be liable for the agreed number of tickets sold at the highest price printed on each
ticket. 4. All ticket stubs, unsold tickets and pre-sales print outs will be available for inspection no later than hour prior to the
opening of house doors. 5. All ticket stubs will be collected for later inspection at all points of entry. 6. GTLO requires all venues and promoters to submit final box office numbers to Pollstar within one (1) week following
your show. Use only the attached Pollstar Box Office Report Form, or log-on to www.pollstaronline.com/report.asp Please include all ticket information and web-site access for use on the GTLO web site.
Facility Web-Site Address
Facility Box Office Number
Charge By Phone (TicketMaster, etc.) PERFORMANCE RIDER: GET THE LED OUT (revised 20-Jun-2008) Rider Page 2 of 11 B. BILLING: Billing for all advertising, marketing materials, announcements, Marquees etc., shall be billed as follows: (100% size) GET THE LED OUT No other billing arrangements will be acceptable.
If a tag line is to be used, the following may be added: (30% size) The American Led Zeppelin Note: If this is the first visit by the band to your city/venue, use of the tag line in all advertising is mandatory.
Use of band website and/or a link to band website www.gtlorocks.com is mandatory in all web based advertising. C. PHOTO, SOUND RECORDING, VIDEO:
GTLO reserves the exclusive right to audio and/or video record their performance(s) directly from the board and/or additional
locations in the house and retains 100% rights to the distribution of the recorded music and/or video recordings of their
performance(s). Further, no fees will be paid nor will any fees be assigned as house expenses in connection with the recording of
the performance. Rights to audio and/or video recording, or distributed recordings of the performance by the promoter or house,
must be negotiated in a separate document to which GTLO retains the right to agree or reject without prejudice to the agreement
to perform or fees paid for performance. D. OPENING ACTS: There shall be NO opening act for GTLO under any circumstances unless first approved by the band through their
representative, Jeff Laramie at SRO Artists Inc. NO EXCEPTIONS*. A typical GTLO concert utilizes 44 inputs on the mixing
console and consists of an extensive soundcheck. All mics and settings have to remain unmoved/unchanged between
soundcheck and performance. *This does not include festival concerts where there may be multiple acts throughout the course of
the event. E. MERCHANDISING: Artist reserves the right to sell all formats of recording and other materials. Purchaser will provide a well-lit space and table.
Artist or Artists licensee shall have the sole right to sell, advertise, promote and distribute prior to, during and after the
performance any and all merchandise bearing the Artists name and/or likeness, including but not limited to souvenir program
books, pictures, posters, stickers, records, tapes, CDs, and items of clothing, etc. All receipts derived from the sale of said
merchandise belong solely to the Artist.
1. PURCHASER shall provide an appropriate size table (usually 5-6 feet) set up in a convenient location for display and
sale of merchandise. 2. Artists representative will conduct an inventory of all merchandise prior to any sale and again at the close of all sales. 3. THE PURCHASER is responsible to provide a SELLER and security for all merchandise and for all moneys for sales. 4. THE PURCHASER shall provide an appropriate size table for seven (7) set up in a convenient location for a meet and
greet between band and fans following the show. F. HOTEL: If THE PURCHASER is providing hotel, the hotel must be of a quality of Business Class or above, with three (3) doubles and
eight (8) single rooms provided. Hotel should be in close proximity of venue with adequate parking for tour vehicles, and one
(1) large truck, have on-site restaurant and room service capability. A map of hotel location must be provided. G. TRANSPORTATION: 1. THE PURCHASER will provide a map of performance-city and surrounding area. Map must show location of venue,
hotel and airport. Also directions to the venue and hotel from the expressway and clear indications of venue loading and
parking areas. 2. THE PURCHASER must provide parking permits either at loading dock or immediately adjacent to facility for ALL
band vehicles. If parking areas are serviced by meters, it is the responsibility of PURCHASER to plug meters for the
full duration of use for the load in, performance and load-out. 3. PURCHASER must provide access to loading dock or main doors nearest to performance stage for load-in. 4. PURCHASER must provide transportation to and from venue and hotel for GTLO bus driver. If runner is provided for
this task, runner must be responsible and sober at all times when transporting a member of GTLO crew. PERFORMANCE RIDER: GET THE LED OUT (revised 20-Jun-2008) Rider Page 3 of 11 H. INSTRUCTIONS FOR PROMOTER AND STAFF: 1. THE PURCHASER agree that he/she will not commit Artist to any personal appearances, interviews or any type of
promotion or appearance without prior consent of Artists or Artists representative at least 72-hours prior to
performance date. 2. THE PURCHASER shall make available (24) complimentary seats per show to Artists for their use. Seats must be in
preferred locations and Artists and/or their representative will contact box office no later than the afternoon of the
performance as to how many or if all complimentary tickets will be used. Please note that the band uses comp tickets in
trade for street level publicity and marketing of each event. 3. THE PURCHASER shall not allow audience to enter concert hall until technical set-up has been completed. Artists
shall complete said set-up 90 minutes prior to performance time, provided there are no technical problems beyond their
control. If technical problems do occur that are beyond the control of Artists, Artists shall not be liable for THE
PURCHASER losses in case concert is delayed or canceled. 4. No background music taped or otherwise, shall be played before or after the performance without approval of artists.
Artists will provide and play music on CD appropriate for their audience. GTLO will have control over ALL TV SETS
in venue during load-in, sound-check and performance. Except for situations when the performance is broadcast via
closed-circuit in the venue, ALL TVs WILL BE TURNED OFF DURING PERFORMANCES 5. THE PURCHASER shall furnish and supply at his/her sole cost all necessary permits, licenses and authorizations from
any and all government agencies, bureaus and departments, Federal, State and local. 6. THE PURCHASER agrees to pay all Federal, State and local amusement taxes and to indemnify and hold Artists
harmless from payment of such taxes. 7. Artists request that all shows be all ages and advertised as such. If all ages are not possible, then artists request that
the show be 18+. Please notify artists representative if this is a problem. I. PRODUCTION OFFICE: THE PURCHASER will provide one room at stage level within easy reach of the stage but to be secluded enough so as not to be
unusable during the performance. The room should be well lit and clean with wastebaskets, two tables with chairs and two
telephone lines and one fax line. All contacts and phone numbers should be sent to Frank Kielb, by phone (610) 325-4540,
or by e-mail at Frank@therockbands.com J. DRESSING ROOMS: 1. A minimum of three (3) clean dressing rooms must be available for artist sole use. 2. Tables and comfortable chairs for 16 people. 3. One (1) sink with hot & cold running water. 4. Four (4) A/C electrical outlets. 5. Dressing rooms must be locked or guarded to ensure safety of Artists belongings. K. TOILETS: THE PURCHASER agrees to provide a backstage toilet for the exclusive use of THE ARTIST. On no account is THE ARTIST
to be expected to use public toilets or to walk through public area in order to use toilet facilities. L. SHOWERS: Please note that THE ARTIST may be traveling overnight after each show. All members of the touring party will need to shower
at the end of the working day. We will need two (2) working showers with hot running water. Where showers are not available
in the venue a day room at a local hotel must be provided. M. TOWELS: 12 dark, clean FACE towels and 12 clean BATH size towels, as well as soap, available at load in. PERFORMANCE RIDER: GET THE LED OUT (revised 20-Jun-2008) Rider Page 4 of 11 N. STAGE: Preferred stage size is 40 w x 32 d (40-feet wide by 32-feet deep) of unobstructed performance space (not to include wings or
stage apron). No corner stages are acceptable. Minimum workable stage size is 32 w x 24 d (32-feet wide by 24-feet deep)
1. Promoter must indicate EXACT stage size here: __________________________________ 2. Stage and drum riser must be completely cleared of any excess equipment and swept clean prior to Artists arrival. 3. If venue is outdoors, stage must be protected from sun, wind and rain. Generators must be of an enclosed crystal-
controlled professional type, properly grounded. O. DRUM RISERS: ALL PROMOTERS, PRODUCTION MANAGERS: PLEASE ADVANCE WITH PRODUCTION MANAGER,
Chris Chalfin (610)349-5124. We require Drum Risers for EVERY show where the stage is large enough to accommodate. The
required drum riser size is- 12 wide x 8 deep x 30 high P. HOUSE LIGHTS: The house lights operator should be in position and on headset ten (10) minutes prior to the advertised show time. He / She
should consult with the GTLO Stage Manager prior to Doors as to the evenings lighting cues. Q. LOCAL LABOR:
Unless otherwise noted, GTLO will travel with its own professional FOH Sound, Monitor Engineer and Lighting Engineer.
These engineers will have access to, and authority to, inspect and operate all elements of the sound and the light systems from
load-in to load-out, and will operate the FOH and lighting consoles during the performance. PURCHASER shall be required to provide able, sober and responsible crew for all load-in, running of show and load-out tasks.
GTLO Production Manager has authority to direct, dismiss or cause to replace at PURCHASER cost, any and all local labor
crew at his sole discretion if he deems that any crew provided is impaired (by means of alcohol or drugs) and/or unable to
perform their tasks as directed. PURCHASER shall provide:
1. Four (4) able, sober and responsible stage hands for load-in and load-out. GTLO RESERVES THE RIGHT TO
CHARGE THE PURCHASER $200 FOR EACH LOADER THAT FALLS SHORT OF OUR MINIMUM
REQUIREMENT OF four (4) OR $200 FOR EACH LOADER THAT IS NOT SOBER. 2. One (1) knowledgeable, able, sober and responsible stage manager to coordinate stage staff (optional). 3. One (1) or two (2) able, sober and responsible sound technicians from load-in through load-out to adequately set-up and
test and tear down house sound and monitor system. 4. GTLO technicians will not be responsible for set-up or tear down of house equipment. 5. One (1) lighting technician (noted in LIGHTING section of this rider). R. ELECTRICAL POWER:
AC power distribution should be provided by the sound company and derived from the theater road switch, preferably an
isolated transformer separate from lighting system connections. It must be of appropriate amperage to properly power the sound
system as well as provide the AC power for the performers as indicated on stage plot. The distribution system must be properly
grounded. 1. See technical specifications for details. PERFORMANCE RIDER: GET THE LED OUT (revised 20-Jun-2008) Rider Page 5 of 11 S. HOSPITALITY: The following (*) list consists of drinks, food, and other essential items to be ready at load in and located inside dressing room
or catering room (this clause must be adhered to and cannot be deleted, changed, or bought out): Rider must be available to Artists and GTLO Crew after sound check at the venue, except as noted by* must be
available upon arrival by crew. ______ Deli Tray - Cold Cuts, Cheese w/condiments, Mayo, Mustard, Hot sauce, Sandwich Bread (Rye, Whole Wheat, Kaiser rolls), Fresh Vegetable tray, cheese and crackers tray* ______ 1/2 case of Bottled imported beer, 1/2 Case of Bottled Domestic Beer, Sierra Nevada Pale Ale preferred* (No Budweiser), (No Heineken in USA only) ______ 3-pack of Bumble Bee white albacore tuna, single serving cans* ______ Four (4) Dannon lite n fit yogurts in assorted flavors* ______ One (1) Bottle of 2005 or earlier Barbaresco, Cabernet, or Chianti, red wine* (In order of preference) ______ One (1) Bottle of 2004 or earlier Sauvingnon Blanc or Pinot Gris white wine* (In order of preference) _____ Assortment of Root Beer, Coke, 7up or equivalent and assortment of Diet soda and Sport drinks such as Gatorade/Powerade, 6-pack of Red Bull* ______ Assorted snacks including - Organic Tortilla Chips, Organic Salsa, mixed nuts, assorted chocolate candy* ______ One (1) Assorted Fresh Fruit bowl, (Whole Fruit)* ______ Availability of Fresh Brewed coffee and Hot Tea* ______ Two (2) cases of Bottled water = 48 bottles* ______ 12 real Bath towels (not bar towels)* ______ 80 lbs. Dry Ice Pellets in portable cooler/ice chest * (This is for fog machine on stage, see Technical Specifications) T. CATERING: This catering menu can be replaced by House catering if agreed to by band and agent in advance except for above * items. ______ 14 HOT meals including vegetarian option and salad or $20 buy out per person. (See Below), Pastas must have no cheese in sauce or in ingredients. No fast food or pizza. (See Below). The catering portion of this rider may be bought out at a cost $280.00 cash (fives and tens please). You MUST make
arrangements in advance with the ARTIST production coordinator. If catering is preferred, the following must be
provided:
1. A hot meal must be provided backstage for Artist and crew (14 people) during and following the sound check. The
eating time will generally be staggered, with some artists eating during the sound check, others and crew eating after
the check. Food should be served in a room that is well heated and in close proximity to dressing area. 2. A selection of fish, seafood, steak, chicken, lasagna/pasta dishes, stir frys; all with vegetables, potatoes, rice or pasta. 3. All meals should include a fresh green salad (dressings on the side) or coleslaw, fresh bread or rolls and butter, and
vegetables. No deep-fried or Fast foods please. Ethnic food and the specialties of your region are welcome. A
selection of sweets is also welcome. 4. Please provide electric hot plates (to keep food warm), complete place settings for 14 and enough chairs and table space
for Artists to be comfortable. 5. The eating time will generally be staggered, with some artists eating during the sound check, others and crew eating
after the check. Food should be served in a well-heated room in close proximity to dressing area. PERFORMANCE RIDER: GET THE LED OUT (revised 20-Jun-2008) Rider Page 6 of 11 U. TECHNICAL RIDER The technical aspects for production will be discussed in advance between ARTIST Production Manager and THE
PURCHASERS Production Coordinator/Representative. Cooperation and communication are of the utmost importance
in order to present a high quality show. Any production surprises to the Artist may result in cancellation of the
performance. THE PURCHASER shall not allow audience to enter concert hall until technical set up has been completed and THE
ARTIST Production Coordinator has given his ok. All equipment required in this rider must be completely set-up and tested prior to artist/crews arrival at the hall. It is extremely
important that the entire system is free of hum, ac induced lighting noise, and physical noise from equipment racks. The system
must be fully functional with all lines run and tested with a phantom powered microphone, prior to the crews arrival. Failure to
comply with this requirement could result in a delay or cancellation of performance and shall constitute a breach of contract.
From the time of load-in the GTLO engineering staff will have control of the sound system. This includes all walk-in music,
intermission and post-show music. NOTE: IT IS ESSENTIAL THAT YOUR TECHNICAL STAFF ADVANCE WITH THE GTLO CREW. Failure by the
promoter to ensure communication with the tech crew who will be working the show may constitute breach of contract. One (1) professional sound technician provided by the venue is required, capable of setting up and running system throughout
set-up and sound check as directed. It is essential that the venue sound company/engineer advance the show with the GTLO
sound engineer. V. OPERATION OF SYSTEM:
1. Artist engineer shall have complete control of house PA system. 2. A competent (and sober) system tech must accompany the system from load-in through load-out. 3. Mix position shall be centered when possible, not under balcony or behind other obstructions, which will remove it
from direct throw of house PA. 4. Mix position will be adequately secured against intrusion and theft from all sides with one Security personal on hand
from the opening of doors to load out. W. TECHINICAL SPECIFICATIONS AND STAGE PLOT: SEE PAGES 7 to 10
(if not attached, contact ARTIST PRODUCTION MANAGER, Chris Chalfin (610)349-5124) PERFORMANCE RIDER: GET THE LED OUT (revised 20-Jun-2008) Page 7 of 11 Technical Specifications April 2008 Production Mgr. / FOH: Chris Chalfin 610-349-5124 / Email - gman03@gmail.com When contacting us please reference the date of your event.
Production Details GTLO travels with all Backline equipment as well as an Audio package that includes the following: > Complete Monitor System. (Please allow a 12 area stage left for monitor world) > All necessary Mics, D . > Front of House Console & Effects. X area for gear) > 54Ch. x 250ft. Splitter Snake.
> 200 Amp / 3 Phase Cam-loc Power Distro w/ pass through.
The overall length of the truck is 40ft. and height is 12ft 6in. Please make sure there is adequate room to park the truck and leave it as close to
the loading area as possible or in loading dock if applicable. GTLO travels with FOH & Monitor Engineers as well as a Lighting Director, & 3 Backline Techs.
The following production items must be provided by the purchaser at no cost to GTLO.
House A Professional quality name brand 4 way actively crossed over speaker system. This Speaker system must have a frequency response of 30-20Khz and be able to produce 120db of System: clean, undistorted sound at the very back of the audience area. This system should be flown
wherever and whenever possible with ground stacked subs. Always include front fills along with
any other fills necessary to assure even coverage throughout the entire seating area.
Acceptable systems in order of preference are:
L-Acoustics V-Dosc or Kudo, Clair i-212, Martin W-8L, Meyer Milo.
> Please have all system processors easily accessible at front of house position.
Amps: Quality name brand power amps to sufficiently power the above named speaker system. Processors: Top quality system processors with internal parametric EQ capabilities. (Dolby / Lake preferred)
Lighting: A complete lighting system as per attached Lighting equipment list & plot.
Power: - 3 Phase - 120/208 Volt power source capable of accepting standard 400 amp cam-loc connectors or bare wire tails with #2 cable.
Risers: (1) Sturdy 12ft. wide by 8ft. deep by 30in. high carpeted drum riser.
Dry Ice: 80 lbs. of Dry Ice Pellets delivered to the stage at the time of load in. Stage GTLO requires 4 sober, English speaking stage hands, 1 house audio tech , and 1 house Hands: lighting tech to assist the GTLO crew with load in, set up, tear down, & load out of all backline & audio equipment. PERFORMANCE RIDER: GET THE LED OUT (revised 20-Jun-2008) Page 8 of 11 Input List April 2008 Chris Chalfin GTLO Prod. Manager / FOH Engineer 610-349-5124 CH. INPUT LOCATION SUB STAND MIC INSERT 1 KICK U.S.C. Red 1 Short Boom Shure B-52A Gate 1 2 KICK U.S.C. Red 2 Short Boom Neum. KM-184 Gate 2 3 SNARE TOP U.S.C. Red 3 Med. Boom Shure B-56 Comp 1 4 SNARE BOTTOM U.S.C. Red 4 Short Boom Shure SM-57 Comp 2 5 HI HAT U.S.C. Red 5 Med. Boom Neum. KM-184 6 RACK U.S.C. Red 6 Senn. e-604 Gate 3 7 FLOOR 1 U.S.C. Red 7 Senn. e-604 Gate 4 8 FLOOR 2 U.S.C. Red 8 Senn. e-604 Gate 5 9 RIDE U.S.C. Red 9 Shure Beta-98 10 CRASH S.R. U.S.C. Red 10 Shure Beta-98 11 CRASH S.L. U.S.C. Red 11 Shure Beta-98 12 TIMPANI U.S.C. Red 12 Med. Boom Shure SM-81 13 GONG U.S.C. Blue 1 Tall Boom Shure SM-57 14 BASS DI U.S.R. Blue 2 XLR Comp 3 15 BASS MIC U.S.R. Blue 3 Shure Beta-98 Comp 4 16 KEY 1 L (Top) S.R. Blue 4 Radial P-DI Insert Comp 5&6 On Group 1&2 17 KEY 1 R (Top) S.R. Blue 5 Radial P-DI 18 KEY 2 L (Bottom) S.R. Blue 6 Radial P-DI 19 KEY 2 R (Bottom) S.R. Blue 7 Radial P-DI 20 KEY 3 Mono (Side) S.R. Blue 8 Radial P-DI 21 GTR S.R. (Jimmy) U.S.R. Blue 9 Med. Boom Shure KSM-44 22 GTR S.R. (Jimmy) U.S.R. Blue 10 Med. Boom Senn. 421 23 GTR S.L. (Paul) U.S.L. Blue 11 Med. Boom AE-2500 Dyn. 24 GTR S.L. (Paul) U.S.L. Blue 12 AE-2500 Cond. 25 GTR S.L. (Paul) U.S.L. Yellow 1 Med. Boom Senn. 421 26 GTR 3 (Thereman Amp) U.S.L. Yellow 2 R.B. Strait Shure SM-57 27 ACOUSTIC 1 (A.L. Key Position) S.R. Black 1 Radial P-DI Insert Comp 7&8 On Group 3&4 28 ACOUSTIC 2 (Jimmy) D.S.R. Black 2 Radial P-DI 29 ACOUSTIC 3 (Paul) U.S.L. Yellow 5 XLR 30 ACOUSTIC 4 (A.L. Downstage) D.S.C. Black 3 Radial P-DI 31 MANDO (Paul) U.S.L. Yellow 7 Radial A-DI 32 THEREMAN U.S.L. Yellow 8 Radial A-DI 33 HARP AMP U.S.C. Yellow 9 Short Boom Shure SM-57 Comp 12 34 DRUM MACHINE U.S.C. Yellow 10 SS Double DI 35 KEY VOCAL (Andrew Lipke) S.R. Black 4 Tall Boom Shure SM-58 Comp 9 36 BASS VOCAL (Paul Piccari) D.S.C. Black 5 Tall Boom Shure SM-58 Comp 10 37 LEAD VOCAL (Paul Sinclair) D.S.C. Black 6 P.S. Stand Shure Beta 58A TL VP-5051 38 BGV / SPARE VOCAL (Diana) D.S.R. Black 7 R.B. Strait Shure SM-58 Comp 11 39 Return to Monitors 40 M-2000 L 41 M-2000 R 42 D-Two L 43 D-Two R 44 IPOD L 45 IPOD R 46 FOH TALKBACK FOH Shure Beta 58A 47 CD L 48 CD R PERFORMANCE RIDER: GET THE LED OUT (revised 20-Jun-2008) Page 9 of 11 = Monitor & Mi x # = Quad A C Drop A
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Stage Plot 4/08 Production Manag er / FOH Eng ineer Chris Chalf in 610 -349-5124 Adam Ferrai ol
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DRUM M A
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D I DRUMS CH. 1 13 & 34 KICK S R FL 1 FL 2 MIX 6 D M BASS S.R. GT R S.L. GT R S.L. GT R K E Y S S.R. GT R PAU L
P
I
CCA RI VOC AL 36 PAU L
SIN C
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AIR VOC AL 37 SIDE FILL 8 SIDE FILL 7 T H E R GONG A
NDRE W L
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PKIE VOC AL 35 T
HER. AM P 4 4 2 3 3 5 5 1 # S.R. GT R 2 D
IAN A/ SPAR E 3 8
1 HA RP Preferred S t
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H PERFORMANCE RIDER: GET THE LED OUT (revised 20-Jun-2008) Page 10 of 11 Lighting Equipment List
A professional lighting system consisting of:
(2) Followspots in FOH positions that can reach the entire stage. Hanging Positions: A front of house hanging position that is accessible to focus
(4) over stage hanging positions (truss or pipe that run the full width of the stage)
Lights: (FOH units subject to change based on venue size) (4) Par 64 VNSP
(22) Par 64 NSP
(21) Par 64 WFL
(2) Source Four 19deg
(17) Source Four 26deg
(10) Source Four 36deg
(2) Martin MAC 2000 Performance
(8) Martin MAC 2000 Profile
(7) Martin MAC 2000 Wash
Power: Power service to operate the above named equipment
(96) dimmers or better
Consoles: Wholehog II or HOG IPC (with fader and programming wings) for moving light control
LP 1600 or similar for conventional control The band does not travel with color and gobos.
All lights should be installed and working at the time of focus, which is typically during load in and
before sound check.
To obtain a copy of the Lighting Plot and Channel List, contact Lighting Designer:
Terry Smith terry@tsmithdesign.com 267.738.5972
.
PERFORMANCE RIDER: GET THE LED OUT (revised 20-Jun-2008) Rider Page 11 of 11 X. LIGHTING PATCH/PLOT: The lighting aspects for production will be discussed in advance between ARTIST Lighting Director and THE
PURCHASERS Lighting Coordinator/Representative. Cooperation and communication are of the utmost importance in
order to present a high quality show. To obtain a copy of the Lighting Patch and Plot, contact Terry Smith at (267) 738-
5972 or terry@tsmithdesign.com Y. GTLO CONTACTS: BOOKING AGENT: BAND MANAGER Jeff Laramie Frank Kielb SRO Artists Inc. KE Entertainment Inc. 6629 University Ave, Suite 206 PO Box 626 Middleton, WI 53562 Broomall PA 19008 (608) 664-8160 (610) 325-4540 FAX: (608) 664-8161 Cell phone: (610) 420-6900 e-mail: jlaramie@sroartists.com e-mail: frank@therockbands.com PRODUCTION MGR./SOUND ENGINEER LIGHTING DIRECTOR Chris Chalfin Terry Smith *Cell Phone: (610) 349-5124 Cell Phone: (267) 738-5972 e-mail: gman03@gmail.com e-mail: terry@tsmithdesign.com *Cell Phone is best method for contacting Chris Z. CONTRACT RIDER ACCEPTED:
Purchaser Date
SRO ARTISTS INC for Get the Led Out Date
The web site itself may have changed. You can check the current page or check for previous versions at the Internet Archive. Yahoo! is not affiliated with the authors of this page or responsible for its content. Get The Led Out Performance Rider (Jun, 2008) PERFORMANCE RIDER: GET THE LED OUT (revised 20-Jun-2008) Rider Page 1 of 11 SRO Artists, Inc. http://www.sroartists.com | gigs@sroartists.com PHONE: (608) 664-8160
FAX: (608) 664-8161 PERFORMANCE RIDER: GET THE LED OUT (revised 20-June-2008) page 1 of 11
ANY CHANGES TO THIS RIDER MUST BE MADE IN WRITING AND APPROVED BY ARTIST REPRESENTATIVES.
This rider forms an integral part of the attached contract. The rider must be signed and returned with all pages of the contract
within two weeks of receiving this documentation. Todays Date Purchaser Venue Performance Date Name of Technical Director who has read this rider: NOTE: A GTLO show is typically a minimum of two-and-a-half (2.5) hours long. This is a straight through set with no breaks or
intermissions unless specifically negotiated between The Purchaser and Artist Representative.
We request that all GTLO performances be ALL AGES. Please make your representative aware of any time limitation, curfews
or all age restrictions PRIOR to signing this agreement. A. BOX OFFICE: 1. GTLO requires ALL venues and promoters to allocate no more than 2% of sellable capacity for promotional give-
aways unless authorized by artist representative. 2. When returning this rider THE PURCHASER must supply a ticket manifest for all engagements. THE PURCHASER
agrees to sell tickets in accordance with the manifest. THE PURCHASER must confirm the following:
a) The total number of tickets to be sold, their prices in advance and on the door. If the engagement is not
general admission, all ticket price variations within the venue must be listed. b) A list of all guest list places and promotional complimentary tickets showing their effect on the gross c) Details of THE PURCHASER ticketing system, box office, agency and credit card commissions. 3. All tickets will be of the one stub one price variety, both portions being numbered in the standard manner. THE
PURCHASER further agrees that there shall be no multiple price tickets printed. Should this be violated THE
PURCHASER agrees that he will be liable for the agreed number of tickets sold at the highest price printed on each
ticket. 4. All ticket stubs, unsold tickets and pre-sales print outs will be available for inspection no later than hour prior to the
opening of house doors. 5. All ticket stubs will be collected for later inspection at all points of entry. 6. GTLO requires all venues and promoters to submit final box office numbers to Pollstar within one (1) week following
your show. Use only the attached Pollstar Box Office Report Form, or log-on to www.pollstaronline.com/report.asp Please include all ticket information and web-site access for use on the GTLO web site.
Facility Web-Site Address
Facility Box Office Number
Charge By Phone (TicketMaster, etc.) PERFORMANCE RIDER: GET THE LED OUT (revised 20-Jun-2008) Rider Page 2 of 11 B. BILLING: Billing for all advertising, marketing materials, announcements, Marquees etc., shall be billed as follows: (100% size) GET THE LED OUT No other billing arrangements will be acceptable.
If a tag line is to be used, the following may be added: (30% size) The American Led Zeppelin Note: If this is the first visit by the band to your city/venue, use of the tag line in all advertising is mandatory.
Use of band website and/or a link to band website www.gtlorocks.com is mandatory in all web based advertising. C. PHOTO, SOUND RECORDING, VIDEO:
GTLO reserves the exclusive right to audio and/or video record their performance(s) directly from the board and/or additional
locations in the house and retains 100% rights to the distribution of the recorded music and/or video recordings of their
performance(s). Further, no fees will be paid nor will any fees be assigned as house expenses in connection with the recording of
the performance. Rights to audio and/or video recording, or distributed recordings of the performance by the promoter or house,
must be negotiated in a separate document to which GTLO retains the right to agree or reject without prejudice to the agreement
to perform or fees paid for performance. D. OPENING ACTS: There shall be NO opening act for GTLO under any circumstances unless first approved by the band through their
representative, Jeff Laramie at SRO Artists Inc. NO EXCEPTIONS*. A typical GTLO concert utilizes 44 inputs on the mixing
console and consists of an extensive soundcheck. All mics and settings have to remain unmoved/unchanged between
soundcheck and performance. *This does not include festival concerts where there may be multiple acts throughout the course of
the event. E. MERCHANDISING: Artist reserves the right to sell all formats of recording and other materials. Purchaser will provide a well-lit space and table.
Artist or Artists licensee shall have the sole right to sell, advertise, promote and distribute prior to, during and after the
performance any and all merchandise bearing the Artists name and/or likeness, including but not limited to souvenir program
books, pictures, posters, stickers, records, tapes, CDs, and items of clothing, etc. All receipts derived from the sale of said
merchandise belong solely to the Artist.
1. PURCHASER shall provide an appropriate size table (usually 5-6 feet) set up in a convenient location for display and
sale of merchandise. 2. Artists representative will conduct an inventory of all merchandise prior to any sale and again at the close of all sales. 3. THE PURCHASER is responsible to provide a SELLER and security for all merchandise and for all moneys for sales. 4. THE PURCHASER shall provide an appropriate size table for seven (7) set up in a convenient location for a meet and
greet between band and fans following the show. F. HOTEL: If THE PURCHASER is providing hotel, the hotel must be of a quality of Business Class or above, with three (3) doubles and
eight (8) single rooms provided. Hotel should be in close proximity of venue with adequate parking for tour vehicles, and one
(1) large truck, have on-site restaurant and room service capability. A map of hotel location must be provided. G. TRANSPORTATION: 1. THE PURCHASER will provide a map of performance-city and surrounding area. Map must show location of venue,
hotel and airport. Also directions to the venue and hotel from the expressway and clear indications of venue loading and
parking areas. 2. THE PURCHASER must provide parking permits either at loading dock or immediately adjacent to facility for ALL
band vehicles. If parking areas are serviced by meters, it is the responsibility of PURCHASER to plug meters for the
full duration of use for the load in, performance and load-out. 3. PURCHASER must provide access to loading dock or main doors nearest to performance stage for load-in. 4. PURCHASER must provide transportation to and from venue and hotel for GTLO bus driver. If runner is provided for
this task, runner must be responsible and sober at all times when transporting a member of GTLO crew. PERFORMANCE RIDER: GET THE LED OUT (revised 20-Jun-2008) Rider Page 3 of 11 H. INSTRUCTIONS FOR PROMOTER AND STAFF: 1. THE PURCHASER agree that he/she will not commit Artist to any personal appearances, interviews or any type of
promotion or appearance without prior consent of Artists or Artists representative at least 72-hours prior to
performance date. 2. THE PURCHASER shall make available (24) complimentary seats per show to Artists for their use. Seats must be in
preferred locations and Artists and/or their representative will contact box office no later than the afternoon of the
performance as to how many or if all complimentary tickets will be used. Please note that the band uses comp tickets in
trade for street level publicity and marketing of each event. 3. THE PURCHASER shall not allow audience to enter concert hall until technical set-up has been completed. Artists
shall complete said set-up 90 minutes prior to performance time, provided there are no technical problems beyond their
control. If technical problems do occur that are beyond the control of Artists, Artists shall not be liable for THE
PURCHASER losses in case concert is delayed or canceled. 4. No background music taped or otherwise, shall be played before or after the performance without approval of artists.
Artists will provide and play music on CD appropriate for their audience. GTLO will have control over ALL TV SETS
in venue during load-in, sound-check and performance. Except for situations when the performance is broadcast via
closed-circuit in the venue, ALL TVs WILL BE TURNED OFF DURING PERFORMANCES 5. THE PURCHASER shall furnish and supply at his/her sole cost all necessary permits, licenses and authorizations from
any and all government agencies, bureaus and departments, Federal, State and local. 6. THE PURCHASER agrees to pay all Federal, State and local amusement taxes and to indemnify and hold Artists
harmless from payment of such taxes. 7. Artists request that all shows be all ages and advertised as such. If all ages are not possible, then artists request that
the show be 18+. Please notify artists representative if this is a problem. I. PRODUCTION OFFICE: THE PURCHASER will provide one room at stage level within easy reach of the stage but to be secluded enough so as not to be
unusable during the performance. The room should be well lit and clean with wastebaskets, two tables with chairs and two
telephone lines and one fax line. All contacts and phone numbers should be sent to Frank Kielb, by phone (610) 325-4540,
or by e-mail at Frank@therockbands.com J. DRESSING ROOMS: 1. A minimum of three (3) clean dressing rooms must be available for artist sole use. 2. Tables and comfortable chairs for 16 people. 3. One (1) sink with hot & cold running water. 4. Four (4) A/C electrical outlets. 5. Dressing rooms must be locked or guarded to ensure safety of Artists belongings. K. TOILETS: THE PURCHASER agrees to provide a backstage toilet for the exclusive use of THE ARTIST. On no account is THE ARTIST
to be expected to use public toilets or to walk through public area in order to use toilet facilities. L. SHOWERS: Please note that THE ARTIST may be traveling overnight after each show. All members of the touring party will need to shower
at the end of the working day. We will need two (2) working showers with hot running water. Where showers are not available
in the venue a day room at a local hotel must be provided. M. TOWELS: 12 dark, clean FACE towels and 12 clean BATH size towels, as well as soap, available at load in. PERFORMANCE RIDER: GET THE LED OUT (revised 20-Jun-2008) Rider Page 4 of 11 N. STAGE: Preferred stage size is 40 w x 32 d (40-feet wide by 32-feet deep) of unobstructed performance space (not to include wings or
stage apron). No corner stages are acceptable. Minimum workable stage size is 32 w x 24 d (32-feet wide by 24-feet deep)
1. Promoter must indicate EXACT stage size here: __________________________________ 2. Stage and drum riser must be completely cleared of any excess equipment and swept clean prior to Artists arrival. 3. If venue is outdoors, stage must be protected from sun, wind and rain. Generators must be of an enclosed crystal-
controlled professional type, properly grounded. O. DRUM RISERS: ALL PROMOTERS, PRODUCTION MANAGERS: PLEASE ADVANCE WITH PRODUCTION MANAGER,
Chris Chalfin (610)349-5124. We require Drum Risers for EVERY show where the stage is large enough to accommodate. The
required drum riser size is- 12 wide x 8 deep x 30 high P. HOUSE LIGHTS: The house lights operator should be in position and on headset ten (10) minutes prior to the advertised show time. He / She
should consult with the GTLO Stage Manager prior to Doors as to the evenings lighting cues. Q. LOCAL LABOR:
Unless otherwise noted, GTLO will travel with its own professional FOH Sound, Monitor Engineer and Lighting Engineer.
These engineers will have access to, and authority to, inspect and operate all elements of the sound and the light systems from
load-in to load-out, and will operate the FOH and lighting consoles during the performance. PURCHASER shall be required to provide able, sober and responsible crew for all load-in, running of show and load-out tasks.
GTLO Production Manager has authority to direct, dismiss or cause to replace at PURCHASER cost, any and all local labor
crew at his sole discretion if he deems that any crew provided is impaired (by means of alcohol or drugs) and/or unable to
perform their tasks as directed. PURCHASER shall provide:
1. Four (4) able, sober and responsible stage hands for load-in and load-out. GTLO RESERVES THE RIGHT TO
CHARGE THE PURCHASER $200 FOR EACH LOADER THAT FALLS SHORT OF OUR MINIMUM
REQUIREMENT OF four (4) OR $200 FOR EACH LOADER THAT IS NOT SOBER. 2. One (1) knowledgeable, able, sober and responsible stage manager to coordinate stage staff (optional). 3. One (1) or two (2) able, sober and responsible sound technicians from load-in through load-out to adequately set-up and
test and tear down house sound and monitor system. 4. GTLO technicians will not be responsible for set-up or tear down of house equipment. 5. One (1) lighting technician (noted in LIGHTING section of this rider). R. ELECTRICAL POWER:
AC power distribution should be provided by the sound company and derived from the theater road switch, preferably an
isolated transformer separate from lighting system connections. It must be of appropriate amperage to properly power the sound
system as well as provide the AC power for the performers as indicated on stage plot. The distribution system must be properly
grounded. 1. See technical specifications for details. PERFORMANCE RIDER: GET THE LED OUT (revised 20-Jun-2008) Rider Page 5 of 11 S. HOSPITALITY: The following (*) list consists of drinks, food, and other essential items to be ready at load in and located inside dressing room
or catering room (this clause must be adhered to and cannot be deleted, changed, or bought out): Rider must be available to Artists and GTLO Crew after sound check at the venue, except as noted by* must be
available upon arrival by crew. ______ Deli Tray - Cold Cuts, Cheese w/condiments, Mayo, Mustard, Hot sauce, Sandwich Bread (Rye, Whole Wheat, Kaiser rolls), Fresh Vegetable tray, cheese and crackers tray* ______ 1/2 case of Bottled imported beer, 1/2 Case of Bottled Domestic Beer, Sierra Nevada Pale Ale preferred* (No Budweiser), (No Heineken in USA only) ______ 3-pack of Bumble Bee white albacore tuna, single serving cans* ______ Four (4) Dannon lite n fit yogurts in assorted flavors* ______ One (1) Bottle of 2005 or earlier Barbaresco, Cabernet, or Chianti, red wine* (In order of preference) ______ One (1) Bottle of 2004 or earlier Sauvingnon Blanc or Pinot Gris white wine* (In order of preference) _____ Assortment of Root Beer, Coke, 7up or equivalent and assortment of Diet soda and Sport drinks such as Gatorade/Powerade, 6-pack of Red Bull* ______ Assorted snacks including - Organic Tortilla Chips, Organic Salsa, mixed nuts, assorted chocolate candy* ______ One (1) Assorted Fresh Fruit bowl, (Whole Fruit)* ______ Availability of Fresh Brewed coffee and Hot Tea* ______ Two (2) cases of Bottled water = 48 bottles* ______ 12 real Bath towels (not bar towels)* ______ 80 lbs. Dry Ice Pellets in portable cooler/ice chest * (This is for fog machine on stage, see Technical Specifications) T. CATERING: This catering menu can be replaced by House catering if agreed to by band and agent in advance except for above * items. ______ 14 HOT meals including vegetarian option and salad or $20 buy out per person. (See Below), Pastas must have no cheese in sauce or in ingredients. No fast food or pizza. (See Below). The catering portion of this rider may be bought out at a cost $280.00 cash (fives and tens please). You MUST make
arrangements in advance with the ARTIST production coordinator. If catering is preferred, the following must be
provided:
1. A hot meal must be provided backstage for Artist and crew (14 people) during and following the sound check. The
eating time will generally be staggered, with some artists eating during the sound check, others and crew eating after
the check. Food should be served in a room that is well heated and in close proximity to dressing area. 2. A selection of fish, seafood, steak, chicken, lasagna/pasta dishes, stir frys; all with vegetables, potatoes, rice or pasta. 3. All meals should include a fresh green salad (dressings on the side) or coleslaw, fresh bread or rolls and butter, and
vegetables. No deep-fried or Fast foods please. Ethnic food and the specialties of your region are welcome. A
selection of sweets is also welcome. 4. Please provide electric hot plates (to keep food warm), complete place settings for 14 and enough chairs and table space
for Artists to be comfortable. 5. The eating time will generally be staggered, with some artists eating during the sound check, others and crew eating
after the check. Food should be served in a well-heated room in close proximity to dressing area. PERFORMANCE RIDER: GET THE LED OUT (revised 20-Jun-2008) Rider Page 6 of 11 U. TECHNICAL RIDER The technical aspects for production will be discussed in advance between ARTIST Production Manager and THE
PURCHASERS Production Coordinator/Representative. Cooperation and communication are of the utmost importance
in order to present a high quality show. Any production surprises to the Artist may result in cancellation of the
performance. THE PURCHASER shall not allow audience to enter concert hall until technical set up has been completed and THE
ARTIST Production Coordinator has given his ok. All equipment required in this rider must be completely set-up and tested prior to artist/crews arrival at the hall. It is extremely
important that the entire system is free of hum, ac induced lighting noise, and physical noise from equipment racks. The system
must be fully functional with all lines run and tested with a phantom powered microphone, prior to the crews arrival. Failure to
comply with this requirement could result in a delay or cancellation of performance and shall constitute a breach of contract.
From the time of load-in the GTLO engineering staff will have control of the sound system. This includes all walk-in music,
intermission and post-show music. NOTE: IT IS ESSENTIAL THAT YOUR TECHNICAL STAFF ADVANCE WITH THE GTLO CREW. Failure by the
promoter to ensure communication with the tech crew who will be working the show may constitute breach of contract. One (1) professional sound technician provided by the venue is required, capable of setting up and running system throughout
set-up and sound check as directed. It is essential that the venue sound company/engineer advance the show with the GTLO
sound engineer. V. OPERATION OF SYSTEM:
1. Artist engineer shall have complete control of house PA system. 2. A competent (and sober) system tech must accompany the system from load-in through load-out. 3. Mix position shall be centered when possible, not under balcony or behind other obstructions, which will remove it
from direct throw of house PA. 4. Mix position will be adequately secured against intrusion and theft from all sides with one Security personal on hand
from the opening of doors to load out. W. TECHINICAL SPECIFICATIONS AND STAGE PLOT: SEE PAGES 7 to 10
(if not attached, contact ARTIST PRODUCTION MANAGER, Chris Chalfin (610)349-5124) PERFORMANCE RIDER: GET THE LED OUT (revised 20-Jun-2008) Page 7 of 11 Technical Specifications April 2008 Production Mgr. / FOH: Chris Chalfin 610-349-5124 / Email - gman03@gmail.com When contacting us please reference the date of your event.
Production Details GTLO travels with all Backline equipment as well as an Audio package that includes the following: > Complete Monitor System. (Please allow a 12 area stage left for monitor world) > All necessary Mics, D . > Front of House Console & Effects. X area for gear) > 54Ch. x 250ft. Splitter Snake.
> 200 Amp / 3 Phase Cam-loc Power Distro w/ pass through.
The overall length of the truck is 40ft. and height is 12ft 6in. Please make sure there is adequate room to park the truck and leave it as close to
the loading area as possible or in loading dock if applicable. GTLO travels with FOH & Monitor Engineers as well as a Lighting Director, & 3 Backline Techs.
The following production items must be provided by the purchaser at no cost to GTLO.
House A Professional quality name brand 4 way actively crossed over speaker system. This Speaker system must have a frequency response of 30-20Khz and be able to produce 120db of System: clean, undistorted sound at the very back of the audience area. This system should be flown
wherever and whenever possible with ground stacked subs. Always include front fills along with
any other fills necessary to assure even coverage throughout the entire seating area.
Acceptable systems in order of preference are:
L-Acoustics V-Dosc or Kudo, Clair i-212, Martin W-8L, Meyer Milo.
> Please have all system processors easily accessible at front of house position.
Amps: Quality name brand power amps to sufficiently power the above named speaker system. Processors: Top quality system processors with internal parametric EQ capabilities. (Dolby / Lake preferred)
Lighting: A complete lighting system as per attached Lighting equipment list & plot.
Power: - 3 Phase - 120/208 Volt power source capable of accepting standard 400 amp cam-loc connectors or bare wire tails with #2 cable.
Risers: (1) Sturdy 12ft. wide by 8ft. deep by 30in. high carpeted drum riser.
Dry Ice: 80 lbs. of Dry Ice Pellets delivered to the stage at the time of load in. Stage GTLO requires 4 sober, English speaking stage hands, 1 house audio tech , and 1 house Hands: lighting tech to assist the GTLO crew with load in, set up, tear down, & load out of all backline & audio equipment. PERFORMANCE RIDER: GET THE LED OUT (revised 20-Jun-2008) Page 8 of 11 Input List April 2008 Chris Chalfin GTLO Prod. Manager / FOH Engineer 610-349-5124 CH. INPUT LOCATION SUB STAND MIC INSERT 1 KICK U.S.C. Red 1 Short Boom Shure B-52A Gate 1 2 KICK U.S.C. Red 2 Short Boom Neum. KM-184 Gate 2 3 SNARE TOP U.S.C. Red 3 Med. Boom Shure B-56 Comp 1 4 SNARE BOTTOM U.S.C. Red 4 Short Boom Shure SM-57 Comp 2 5 HI HAT U.S.C. Red 5 Med. Boom Neum. KM-184 6 RACK U.S.C. Red 6 Senn. e-604 Gate 3 7 FLOOR 1 U.S.C. Red 7 Senn. e-604 Gate 4 8 FLOOR 2 U.S.C. Red 8 Senn. e-604 Gate 5 9 RIDE U.S.C. Red 9 Shure Beta-98 10 CRASH S.R. U.S.C. Red 10 Shure Beta-98 11 CRASH S.L. U.S.C. Red 11 Shure Beta-98 12 TIMPANI U.S.C. Red 12 Med. Boom Shure SM-81 13 GONG U.S.C. Blue 1 Tall Boom Shure SM-57 14 BASS DI U.S.R. Blue 2 XLR Comp 3 15 BASS MIC U.S.R. Blue 3 Shure Beta-98 Comp 4 16 KEY 1 L (Top) S.R. Blue 4 Radial P-DI Insert Comp 5&6 On Group 1&2 17 KEY 1 R (Top) S.R. Blue 5 Radial P-DI 18 KEY 2 L (Bottom) S.R. Blue 6 Radial P-DI 19 KEY 2 R (Bottom) S.R. Blue 7 Radial P-DI 20 KEY 3 Mono (Side) S.R. Blue 8 Radial P-DI 21 GTR S.R. (Jimmy) U.S.R. Blue 9 Med. Boom Shure KSM-44 22 GTR S.R. (Jimmy) U.S.R. Blue 10 Med. Boom Senn. 421 23 GTR S.L. (Paul) U.S.L. Blue 11 Med. Boom AE-2500 Dyn. 24 GTR S.L. (Paul) U.S.L. Blue 12 AE-2500 Cond. 25 GTR S.L. (Paul) U.S.L. Yellow 1 Med. Boom Senn. 421 26 GTR 3 (Thereman Amp) U.S.L. Yellow 2 R.B. Strait Shure SM-57 27 ACOUSTIC 1 (A.L. Key Position) S.R. Black 1 Radial P-DI Insert Comp 7&8 On Group 3&4 28 ACOUSTIC 2 (Jimmy) D.S.R. Black 2 Radial P-DI 29 ACOUSTIC 3 (Paul) U.S.L. Yellow 5 XLR 30 ACOUSTIC 4 (A.L. Downstage) D.S.C. Black 3 Radial P-DI 31 MANDO (Paul) U.S.L. Yellow 7 Radial A-DI 32 THEREMAN U.S.L. Yellow 8 Radial A-DI 33 HARP AMP U.S.C. Yellow 9 Short Boom Shure SM-57 Comp 12 34 DRUM MACHINE U.S.C. Yellow 10 SS Double DI 35 KEY VOCAL (Andrew Lipke) S.R. Black 4 Tall Boom Shure SM-58 Comp 9 36 BASS VOCAL (Paul Piccari) D.S.C. Black 5 Tall Boom Shure SM-58 Comp 10 37 LEAD VOCAL (Paul Sinclair) D.S.C. Black 6 P.S. Stand Shure Beta 58A TL VP-5051 38 BGV / SPARE VOCAL (Diana) D.S.R. Black 7 R.B. Strait Shure SM-58 Comp 11 39 Return to Monitors 40 M-2000 L 41 M-2000 R 42 D-Two L 43 D-Two R 44 IPOD L 45 IPOD R 46 FOH TALKBACK FOH Shure Beta 58A 47 CD L 48 CD R PERFORMANCE RIDER: GET THE LED OUT (revised 20-Jun-2008) Page 9 of 11 = Monitor & Mi x # = Quad A C Drop A
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Stage Plot 4/08 Production Manag er / FOH Eng ineer Chris Chalf in 610 -349-5124 Adam Ferrai ol
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D I DRUMS CH. 1 13 & 34 KICK S R FL 1 FL 2 MIX 6 D M BASS S.R. GT R S.L. GT R S.L. GT R K E Y S S.R. GT R PAU L
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H PERFORMANCE RIDER: GET THE LED OUT (revised 20-Jun-2008) Page 10 of 11 Lighting Equipment List
A professional lighting system consisting of:
(2) Followspots in FOH positions that can reach the entire stage. Hanging Positions: A front of house hanging position that is accessible to focus
(4) over stage hanging positions (truss or pipe that run the full width of the stage)
Lights: (FOH units subject to change based on venue size) (4) Par 64 VNSP
(22) Par 64 NSP
(21) Par 64 WFL
(2) Source Four 19deg
(17) Source Four 26deg
(10) Source Four 36deg
(2) Martin MAC 2000 Performance
(8) Martin MAC 2000 Profile
(7) Martin MAC 2000 Wash
Power: Power service to operate the above named equipment
(96) dimmers or better
Consoles: Wholehog II or HOG IPC (with fader and programming wings) for moving light control
LP 1600 or similar for conventional control The band does not travel with color and gobos.
All lights should be installed and working at the time of focus, which is typically during load in and
before sound check.
To obtain a copy of the Lighting Plot and Channel List, contact Lighting Designer:
Terry Smith terry@tsmithdesign.com 267.738.5972
.
PERFORMANCE RIDER: GET THE LED OUT (revised 20-Jun-2008) Rider Page 11 of 11 X. LIGHTING PATCH/PLOT: The lighting aspects for production will be discussed in advance between ARTIST Lighting Director and THE
PURCHASERS Lighting Coordinator/Representative. Cooperation and communication are of the utmost importance in
order to present a high quality show. To obtain a copy of the Lighting Patch and Plot, contact Terry Smith at (267) 738-
5972 or terry@tsmithdesign.com Y. GTLO CONTACTS: BOOKING AGENT: BAND MANAGER Jeff Laramie Frank Kielb SRO Artists Inc. KE Entertainment Inc. 6629 University Ave, Suite 206 PO Box 626 Middleton, WI 53562 Broomall PA 19008 (608) 664-8160 (610) 325-4540 FAX: (608) 664-8161 Cell phone: (610) 420-6900 e-mail: jlaramie@sroartists.com e-mail: frank@therockbands.com PRODUCTION MGR./SOUND ENGINEER LIGHTING DIRECTOR Chris Chalfin Terry Smith *Cell Phone: (610) 349-5124 Cell Phone: (267) 738-5972 e-mail: gman03@gmail.com e-mail: terry@tsmithdesign.com *Cell Phone is best method for contacting Chris Z. CONTRACT RIDER ACCEPTED:
Purchaser Date
SRO ARTISTS INC for Get the Led Out Date
